With special guest, Hinako Omori.

Multi-instrumentalist, composer, performer and curator L’Rain (Taja Cheek) returns with her third album I Killed Your Dog.

Over-writing themes of grief and identity that informed her previous work, I Killed Your Dog considers what it means to hurt the people you love the most. Multi-layered in subject and form, L’Rain’s sonic explorations interrogate instead how multiplicities of emotion and experience intersect with identity. The experimental and the hyper-commercial; the expectation and the reality; the hope and the despair. “I’m envisioning a world of contradictions, as always,” Cheek explains. “Sensual, maybe even sexy, but terrifying, and strange.” Written amidst heartbreaks from the perspective of an earned maturity, I Killed Your Dog takes the sonic world laid out by L’Rain in 2021’s album Fatigue on a compelling new trajectory.

Described by Cheek as an “anti-break-up” record, I Killed Your Dog takes the universal pop theme of love as its starting point – bold, bratty and even a touch diabolical – and inspects it through the form of a conversation with her younger self, untangling her relationship with femininity and the formal musical conventions that others have come to expect of her.

Alongside long-time collaborators Andrew Lappin and Ben Chapoteau-Katz, Cheek has developed L’Rain into a shape-shifting entity that blurs the distinction between band and individual. Beginning as an abstract meditation on grief, Cheek traces the origins of L’Rain to the period which followed the dissolution of her vibrant DIY musical community in early 2010s NYC and the passing of her mother, Lorraine. The name L’Rain was conceived as both a tribute to her mother and her own gregarious alter ego L’ (lah-postrophe), and one which she subsequently tattooed onto her arm. 

Critically acclaimed by NPR, named album of the year in The Wire magazine and #2 in Pitchfork's best albums of 2021, Fatigue propelled L’Rain towards a new audience, while further cementing her place within experimental and art institutional spaces. And yet, equally inspired by gospel and ‘90s R&B, and touring with Black Midi and Animal Collective, Cheek is conscious of not allowing this narrative to dominate.  

As with Fatigue, the cast of I Killed Your Dog’s world is supremely varied – taking in theoretical physicists, subverting Baroque compositional tropes and