THIS WEEK
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THIS WEEK |
Blending the unmistakable influence of British rock with the swagger of Hollywood's Sunset Strip, The Falling Doves deliver a powerful combination of soaring melodies, explosive guitars, and classic rock 'n' roll attitude.
NUA’s debut event in the curveball venue, button factory. With up & coming bands and art exhibits capturing the city’s nightlife atmosphere.
Recently selected by Elton John for his Apple Music show Rocket Hour, the fourth single from Elder Islands forthcoming album, ‘Letters’ sees the Bristol trio take a more introspective turn. Expansive and slow burning in its progression, the track unfolds through layered instrumentation, expressive vocals and a steady, chugging rhythm that carries it forward. There is a cinematic quality to its world building, drawing on fragments of science fiction and folk imagery, all threaded through the feeling of a long, open-ended road trip.
We’re bringing you an unapologetic celebration of the greatest 70s, 80s, 90s & Millennial dancefloor anthems, with Gaga, Britney and all your forever favourites thrown into the mix.
🎸 After representing Moldova in the Eurovision Grand Final and winning over audiences across the continent with his hit "Viva Moldova", SATOSHI is taking the song that captured everyone's hearts on the road.
Blending gothic influences with shimmering melodies and an unmistakable pop sensibility, the band has become one of the leading names in Argentina's new wave of independent music.
Foggy Notions are proud to present ear for their Irish Debut on Bank Holiday Monday 26th October.
Manchester-born poet, writer, and producer Antony Szmierek today announces his second album, Decoding Birdsong, arriving 21st August via Mushroom Music / Virgin Music Group. Just eighteen months after his critically acclaimed debut, Szmierek returns with a new body of work that signals a clear evolution in both sound and scope. Rooted in his personal touchstones within electronic music, the album pairs expansive, immersive production with his trademark razor-sharp lyricism.
In New York City on his thirteenth birthday, planes fell from the sky and crashed into the World Trade Center. This had nothing to do with Alex Cameron. He wasn’t there. He was in Australia. By the time the planes hit, it wasn’t even 9/11 anymore. It was 9/12.
This has been the secret rhythm of his art. One day ahead of a most terrible, but inevitable truth.
past shows @ BUTTON FACTORY
